this performance of complicite at the barbican gave me lots of projection ideas; back projecting film with shadow interplay of performers, live feed from camera in an OHP front projected. I was particularly struck by Helena's blog saying projections were used as a backdrop/ set/collage ,( my usual way of working with projections on a screen,) but that they also became person/performer in front projection, use of hands talking, viewing pages in a book being turned- photos/text and personal letters, projecting from the OHP view. i found this show very visually rich.
in the discussion afterwards it struck me how much i need to develop a greater understanding of style, structure, language of performance to push my visual interjections in new ways. hence reaching for the recommended reading list, and camera lucida by barthes......
i have my complicite-esque guinea pigs lined up in the shape of 14 and 15 year old art students......am trying out some of the back projecting and shadow play ideas within a workshop with schools, animated living gallery, where art works are brought to life through stop frame animation, back projected,and then shadow play within animation, or as live action to frozen tableaux type stills....lets see what kids can do with it :)
Saturday, 13 October 2007
contextual connections- complicite- a disappearing number
Labels:
barbican,
complicite,
contextual,
contextual studies,
projections,
shadow
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